Music Production
Algorithmic electronic music production and audio engineering.
Electronic Music Artist & Creative Technologist
Malware / Cult of Skaro
I am an electronic music artist and creative technologist working under the projects Malware and Cult of Skaro, exploring the intersection of dance music, hip - hop, industrial, bass music, and experimental sound design.My work blends club - driven rhythm with unconventional textures, focusing on sonic identity, physical impact, and forward - leaning composition.
The practice emphasizes pushing beyond genre boundaries while maintaining the functional energy required for live dance floors.
Sound Design, Composition & Custom Tooling
A defining aspect of my work is the design of custom audio systems that enable unique tonal palettes and performance workflows.
Key elements include: • Custom software patches built in Max / MSP and Native Instruments Reaktor • Bespoke signal chains for distortion, modulation, and spatial processing • Hardware synthesizer design and modification to create nonstandard timbres • Experimental sequencing and generative techniques integrated into compositions
By building my own tools, I maintain tight control over sound character and performance dynamics, resulting in a sonic signature that is difficult to replicate.
Live Performance & Club Culture
I have performed live across the Midwest and West Coast, adapting sets for underground clubs, warehouse environments, and rave - oriented systems.
Notable venues and scenes include: • Smart Bar(Chicago) • Upstairs Lounge(St.Louis) • The Los Angeles rave and warehouse scene
Live performances emphasize physical low - end, dynamic pacing, and real - time manipulation, treating the stage as an extension of the studio rather than a playback environment.
Releases & Labels
My music has been released on independent and underground labels, including: • Elements of Bass • Cosmic Voodoo Records
These releases reflect a commitment to experimental club music that balances dance - floor utility with unconventional sound design and structure.
Creative Philosophy & Impact
This work: • Blends engineering discipline with artistic experimentation • Treats sound design as a system, not just an aesthetic • Bridges underground club culture with technical innovation • Reinforces live electronic performance as a creative, improvisational act
By combining custom - built tools, genre - fluid composition, and live performance, the project exists at the crossroads of music, technology, and subcultural expression.